Batik that is only used at Jogja weddings

In a traditional Javanese wedding procession, especially in Jogja, customs and manners cannot be let go when using tie-dye.Batik signifies the social status and expectations of the wearer, with this tie-dye recognized by UNESCO. Even, it has manners and suitability for wedding motifs.

According to Carik Kawedanan Radya Kartiyasa Keraton Jogja Nyi R Ry Noorsundari, the use of tie-dye in weddings is tailored to the stages of the wedding procession. In a traditional Javanese wedding, the procession includes silaman, middareni, consent and pangi.

According to Noorsundari, in a wedding procession, the event begins with a meaningful splash to purify someone's bad. The tie-dye used is the Gronpole motif, which signifies unity between individuals who remain united as a family. "The event starts with us splashing the bad stuff and washing it away. With the Gronpole motif, the Gronpole motif is like a little bunch of grapes. Small, but one." I wish we could be like wine, they have their own personalities, but they are still united within the family," Noorsundari said at the palace.

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After the procession of Siraman, the process of Middareni follows, especially for palace weddings with a Trantum motif. This motif signifies the blooming of flowers and the readiness to enter the stage of marriage. Lay people usually wear Wahyu Thamrung patterned tie-dye fabric during Middareni. In Middaleni's palace, the daughter usually uses the motif of the trantum, which is still in bud and about to bloom, and is called a trantum. If you want to get married, start something new. Like a flower that is about to bloom, I would like to prepare first. Norsundari said.

Although the community commonly uses generational revelation in the Mid-Dalenian matrix. This motif means a gift that pours down on a person. Beauty is also hope," she said R. Ry. Norsundari.

After the middarleni procession ends, the marriage registration procession continues the next day. In the consensual procession, the bride and groom usually use trantum or nithik claws.The chicken claw motif itself implies new responsibilities, thus changing the family's life for the better. I wish you new luck. "Ijab usually uses a truntum or a chicken claw nitik. The chicken claw nitik is in the shape of a dot, but the model is the chicken claw. It creates new responsibilities and changes the family life for the better. I hope that happiness will be born," he said.

After approval was given, the procession continued at Pangi. When joining the Panggih procession, they usually use Sido motifs, such as Sido Noble, Sido Asih and even Cement Romo. “After consent is given, the name Pangi usually uses sid motifs, such as Sid Mukti, Nobler Sid, Sid Asif, Cement Romo. I hope it will come," he said. 

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Politeness using batik according to the palace

Batik as a treasure of Indonesian culture lives on for centuries. At that time, tie-dye was one of the basic garments.To date, tie-dye is still growing and becoming a social trend.However, in the traditional setting of the Yogyakarta royal palace, tie-dye fabrics are worn There are still proper manners and procedures to follow.

According to Carik Kawedanan Radya Kartiyasa Keraton Jogja Nyi R Ry Noorsundari, the use of tie-dye in the Yogyakarta Palace is adjusted according to a person's social status, occurrence, age and status. As we age, our use of tie-dye fabrics is constantly changing.

“Battik dyeing expresses social status in the box itself. There are various ways to use tie-dyeing depending on age and position. Get to know Keraton Batik, full of spirit. ”Norsundari also gave an example. Many children now dress up in tie-dye and wear buns.In his opinion, buns can only be used if they are girls or adults, so the use of buns themselves should not be used for children. . Additionally, using flowers in bread signifies a person's marital status. "When you enter puberty, you can wear a bun and see a bun. If there are no flowers, it means you are not married. Only married people use flowers." Nur Sundari said.

Next, how to wear a girl's tie dye with the word wallel belt. The fabric uses a fabric that is not too cold just by twisting it. This is so that children can continue walking and playing. "Children's names run and play, so it's not like the cloth is usually covered with wire," Noorsundari said. When a woman enters puberty, the pagoda is allowed to use her model. Finally, you can use the tank top as a matching dress until the wedding stage. For boys, there is not much difference from girls, but the difference is the direction of the fabric. In general, clockwise for women and counterclockwise for men.

"For males, the name is almost the same as Missed. The direction of rotation that distinguishes is mostly upper right for males and upper left for females. Counterclockwise for males and clockwise for females," Noorsundari said.After the boy hits puberty, a fabric model is sewn in. Some accompanying clothing items such as blangkon and keris can also be used. When we talk about batik, we cannot escape the motifs involved, so there are some motifs that cannot be used in general from the point of view of etiquette and usage. this is a royal prerogative

"Speaking of tie-dye, there is also talk of motifs. There are some tie-dye motifs that cannot be universally used because of the prerogative of the Sultan as king," said Noorsundari. especially those with high philosophical value, are declared forbidden in batik. Batiks exiled in Yogyakarta Palace include Palang Damaged Barong, Palang Damaged Gendre, Palang Krisik, Semen Gede Sawat Gulda, Semen Gede Sawat Lal, Udang Lilith, Rujak Sente, Palang Palangan, Semkiran, Kaung, Huk It is included. 

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Do you know the Caucasian Buffalo which is often used as a ritual for the Solo Palace people ?

In some areas, preparations have begun for the tradition, which usually takes place on the night of Suro.

Including the Surakarta Palace, which is once again hosting 1 Suron Night Carnival after a two-year absence due to the Covid-19 pandemic.Penggeng Parentah Keraton Solo Kanjeng Gusti Prince Haryo (KGPH) Dipokusumo said that even if someone has foot and mouth disease (PMK), the foreigner will still be included in the queue after quarantine.

"The carnival ceremonies continue on the night of the first slot and a quarantine is required for procedures to return to normal. Some of the Buffalo preparing for the carnival have already been quarantined."

Dipo revealed that his five Kebo Caucasians at Surakarta Palace will join his carnival parade one night after his in Suro. Origin of Kebo Bule On the eve of the Islamic New Year, or the night known as 1 Sulo Night, a carnival tradition takes place at the Surakarta Palace.

This tradition has been practiced for hundreds of years and is passed down from generation to generation.

From the king and his courtiers to the general populace, thousands of people participate in this one suloh carnival.One Suro Night Carnival aims to reflect on past mistakes and create a new page in the hope that they will not be repeated.

His one of the most famous icons of the One Suron Night Carnival at the Surakarta Palace is Kebo (Buffalo) Bure, his cucuk lampah (Guardian) of the Carnival, and Kebokyay, a descendant of his slamet. The Kebo-Caucasians are later in the front row, guarding other heirlooms in Kyai Slamet's palace.

A buffalo with reddish white skin is not just a water buffalo.

Kebo Caucasians are important family heirlooms and also Paku Buwono II's clan or favorite pets.

According to Yosodipuro, a famous poet of Surakarta Kasunanan Palace, Kebo Bure was originally a gift from Kyay Hasan Beshari Tegarsari Ponorogo to King Pak Buwono II.

When Pakubuwono II returned from his Tegalsari refuge in Pondok, riots erupted in Chinatown and the Karta Surah Palace burned down, the buffalo were sent to the palace's heirloom lampars (guards) called Kiyai Islamet. member). The Royal Palace has never attempted to explain what form the Kyai Slamet heirloom took.

“Because he is in charge of preserving and preserving the heritage of Kiyai Sulamet, the municipality erroneously calls this foreigner Kebo Kiyai Sulamet,” said Deputy Keraton Surakarta Penghen Sassono Willopo. , Kanjen Raden Aryo (KRA) Winarno Kusumo said.In 1725 when Pakhi Bwono II was looking for a site for a new palace, Kebo Bokbo his Caucasian ancestors were released. 

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Why is There a Sekaten in Every Mulud Month?

Secaten is an annual event held in the city of Solo since the 15th century. This event is a tradition to mark the birthday of Prophet Muhammad SAW. The Secaten program is closely related to the history of the spread of Islam to Java. The Wari Sangha is the main person behind the birth of the secaten tradition. Sekaten was used by the Wali Sanga to spread Islam in Java. Originally, Secaten was a continuation of a traditional ritual practiced by Javanese kings since the Majapahit period as a salvation ceremony to keep the kingdom safe. Gradually, however, the secaten tradition has changed and is now being used as a vehicle to spread Islam, especially in Central Java, where the spread of Islam is through the medium of gamelan his art.

Gamelan was used as a medium to spread Islam because Javanese people at that time loved Gamelan, Javanese art. It was not until the celebration of the Prophet Muhammad's birthday at the Secaten event that the tambourine fell out of use and the gamelan was used as an accompaniment to the blessing chants. In Solo, night market activities usually follow Secaten performances for a month. The cue for the Secaten performance is the sound of the gamelan played inside the mosque. The event is held on her Rabiul Awal from the 5th to her 12th and the gamelan is played consecutively on this day. Events will then continue at Tumplak Wajik and Grebeg Maulud.

Tumplak Wajik is held his two days before Grebeg Maulud is held. The Tumplak Wajik ceremony takes the form of singing songs in kotekan or kentongan. This is used as a sign that the production of Gunungan has begun. Songs performed at Tumplak Wajik include Lompong Keli, Owal Awil and Tudhung Setan.

The next series of events is Grebeg Maulud. This event took place on his 12th in Rabiul Awal. Grebeg Maulud is the pinnacle of the Sekaten tradition. Grebeg Maulud has mountains of sticky rice, fruits, groceries and vegetables. This Gunungan is intended as a form of prayer and salvation, symbolizing the prosperity of the kingdom. After prayer, this gunungan is distributed to the congregation.

Sekaten is still maintained and implemented today. Secaten has been suspended for two years due to the effects of the new coronavirus infection, but we will resume Secaten's activities this time. This happened because the pandemic was loose enough. Now we can hold another secaten. Those wishing to visit Sekaten should head directly to the city of Surakarta to enjoy the lively performance of the event. 

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Would you like to settle down in Yogyakarta?

Would you like to settle down in Yogyakarta? You can stop by Kampong Batik Giliroyo. Not only will you have a beautiful natural backdrop, but you will also learn how to make batik.

Giliroyo Batik Village is located in the Imogiri area of ​​Bantul Regency. The village is located about 15 kilometers or 40 minutes by car from Yogyakarta city. detikcom and Traveloka stopped by Kampung Batik Giriloyo a while ago. 

The drive to this village is really enjoyable as travelers can take in the views of the rice fields on both sides of the road. The green rice fields that the capital lacks are another medicine for travelers weary of traffic jams and skyscrapers. Also, the air in imogiri is cool and pleasant. Once in the village, travelers can see batik shop signs in front of residents' homes. Not surprisingly, most of the residents of Giliroyo Batik Village work as tie-dyeers.

Giliroyo Batik Village is said to be one of the oldest batik-making villages in Yogyakarta. People have had a close relationship with batik since the Mataram Kingdom in the 17th century. Next to this village is the tomb of the famous potato cutter king.

We stopped at the Giliroyo Batik Lighting Gallery not far from the village entrance. There you will learn how to make batik. The tie dye we make is written as tie dye. There are tools and materials used to create tie-dye i.e. cloth, wax, canting, kiln and dye.

Batik making at Giliroyo Batik Village was fun as participants were directly accompanied by the batik craftsmen. They patiently led us to draw cantings on the patterns we had previously drawn on the cotton cloth. Tie-dyeing as a beginner is not easy. The traveler must endure the hot night by canting and scratch the cloth in a slightly inclined position. If you take the wrong measures, the night will not come out or will overflow.

Therefore, patience and thoroughness are required. Mr. Wasihatun, a craftsman who accompanied me, explained that tie-dyeing helps develop the taste. “You don’t have to rush the tie-dyeing, you have to be focused and patient. If something goes wrong, you can use it as a new shape, so the tie-dyeers also need to be creative,” he said. Told. 

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Yogyakarta Royal Wedding attire

The Royal Wedding of Yogyakarta is a significant event in Indonesian culture and history. The bride's dress is a central aspect of this celebration, as it symbolizes the joining of two families and the start of a new life together. The traditional wedding dress of Yogyakarta, also known as the kebaya, is a beautifully ornate garment that reflects the richness of Indonesian heritage.

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The kebaya is a long-sleeved blouse and a long skirt that are worn together. The blouse is typically made of sheer, lightweight fabric, such as silk or cotton, and is adorned with intricate embroidery, beading, or lace work. The skirt is also elaborately decorated, often featuring ornate pleats and folds, as well as intricate patterns and embellishments. The kebaya is typically worn with a long scarf, called a selendang, which is draped over the shoulder and tied at the waist.

The kebaya originated in the Javanese court during the 17th century, and has since become a staple of Indonesian traditional attire. In Yogyakarta, the kebaya is particularly special, as the city is renowned for its intricate batik designs and rich cultural heritage. For a royal wedding, the bride's kebaya is often customized and tailored to her personal taste and style, making it a unique and meaningful reflection of her personality.

The kebaya is not only beautiful but also deeply symbolic. The intricate designs and embellishments on the dress represent the richness of the bride's family and their cultural heritage, while the long sleeves and flowing skirt represent the bride's purity and grace. The selendang symbolizes the bride's strength and grace, as it is traditionally worn to provide support and protection to the wearer.

The Yogyakarta royal wedding dress is often a fusion of traditional Indonesian design and modern styles and trends. The bride may choose to wear a traditional kebaya, or a modern version with a contemporary twist, such as a shorter skirt or a more fitted blouse. The use of modern fabrics, such as lace or tulle, may also add a contemporary touch to the dress.

In conclusion, the Yogyakarta royal wedding dress is a beautiful and meaningful representation of Indonesian culture and heritage. The kebaya, with its intricate designs and symbolic meaning, serves as a reminder of the rich cultural heritage of Indonesia and the importance of preserving and celebrating this heritage in contemporary times. Whether in its traditional form or with a modern twist, the kebaya remains a stunning and timeless piece of attire for the bride and a testament to the beauty and elegance of Indonesian culture

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Batik among teens

We'll often hear the term batik and printed batik. The development of batik design in today's quite encouraging, this positive impact for batik-batik producers in various regions. For those of us who are unfamiliar, it might be sedikitkesulitan to distinguish. Here are some tips that can help you distinguish the two types of batik. Differences batik designs and batik designs can be seen from some of the following: Batik * Done by using the canting is a tool made from copper which is formed to accommodate the night (wax batik) with a tip of the channel / small pipe to discharge the night in shaping the initial image on the surface of the fabric. * The picture / design batik there is no clear repetition, so the image appears to be more flexible with the relative size of the motif can be smaller than the printed batik. * Image design batik can be seen on both sides of the fabric appears to be more flat (see-through back and forth) specifically for the delicate batik. * The basic color of fabric usually younger than the color of the scratches motif (ofwhite batik / tembokan). * Each piece of the picture (decoration) which is repeated on a sheet of fabric normally would never be the same shape and size. Unlike printed batik is likely to be exactly the same between the images that one with another picture. * Time required for the manufacture of batik relatively longer (2 or 3 times longer) compared with the manufacture of printed batik. Batik fine workmanship which could take 3 to 6 months. * The tool of canting relatively cheaper price of around Rp. 10.000, - to Rp. 20,000, -/pcs. 8. The selling price is relatively more expensive batik, because of the quality is usually better, luxurious and unique. Batik Cap * Done by using a cap (a tool made from copper which is formed in accordance with the desired image or pattern). To manufacture the handle cap batik with a length and width dimensions: 20 cm x 20 cm on average it takes 2 weeks. * The picture / design printed batik there is always a repetition of the obvious, so the image appears again with the same shape, the size of the relatively greater motive than batik. * Pictures printed batik usually do not show through on both sides of the fabric. * The color base cloth is usually older than the color of the scratches motive. This is due not to do batik cap closure on the basis of a more complicated pattern as was common practice in the process of batik. * Duration batik stamp usage in good condition can reach 5 years to 10 years, with a record not broken * Selling price printed batik relatively cheaper compared to batik, because usually many and have similarities to one another is not unique.

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