Batik as a treasure of Indonesian culture lives on for centuries. At that time, tie-dye was one of the basic garments.To date, tie-dye is still growing and becoming a social trend.However, in the traditional setting of the Yogyakarta royal palace, tie-dye fabrics are worn There are still proper manners and procedures to follow.


According to Carik Kawedanan Radya Kartiyasa Keraton Jogja Nyi R Ry Noorsundari, the use of tie-dye in the Yogyakarta Palace is adjusted according to a person's social status, occurrence, age and status. As we age, our use of tie-dye fabrics is constantly changing.


“Battik dyeing expresses social status in the box itself. There are various ways to use tie-dyeing depending on age and position. Get to know Keraton Batik, full of spirit. ”Norsundari also gave an example. Many children now dress up in tie-dye and wear buns.In his opinion, buns can only be used if they are girls or adults, so the use of buns themselves should not be used for children. . Additionally, using flowers in bread signifies a person's marital status. "When you enter puberty, you can wear a bun and see a bun. If there are no flowers, it means you are not married. Only married people use flowers." Nur Sundari said.


Next, how to wear a girl's tie dye with the word wallel belt. The fabric uses a fabric that is not too cold just by twisting it. This is so that children can continue walking and playing. "Children's names run and play, so it's not like the cloth is usually covered with wire," Noorsundari said. When a woman enters puberty, the pagoda is allowed to use her model. Finally, you can use the tank top as a matching dress until the wedding stage. For boys, there is not much difference from girls, but the difference is the direction of the fabric. In general, clockwise for women and counterclockwise for men.


"For males, the name is almost the same as Missed. The direction of rotation that distinguishes is mostly upper right for males and upper left for females. Counterclockwise for males and clockwise for females," Noorsundari said.After the boy hits puberty, a fabric model is sewn in. Some accompanying clothing items such as blangkon and keris can also be used. When we talk about batik, we cannot escape the motifs involved, so there are some motifs that cannot be used in general from the point of view of etiquette and usage. this is a royal prerogative


"Speaking of tie-dye, there is also talk of motifs. There are some tie-dye motifs that cannot be universally used because of the prerogative of the Sultan as king," said Noorsundari. especially those with high philosophical value, are declared forbidden in batik. Batiks exiled in Yogyakarta Palace include Palang Damaged Barong, Palang Damaged Gendre, Palang Krisik, Semen Gede Sawat Gulda, Semen Gede Sawat Lal, Udang Lilith, Rujak Sente, Palang Palangan, Semkiran, Kaung, Huk It is included. 


ARIF BLOG 5:16 PM
Read more ...


In some areas, preparations have begun for the tradition, which usually takes place on the night of Suro.

Including the Surakarta Palace, which is once again hosting 1 Suron Night Carnival after a two-year absence due to the Covid-19 pandemic.Penggeng Parentah Keraton Solo Kanjeng Gusti Prince Haryo (KGPH) Dipokusumo said that even if someone has foot and mouth disease (PMK), the foreigner will still be included in the queue after quarantine.


"The carnival ceremonies continue on the night of the first slot and a quarantine is required for procedures to return to normal. Some of the Buffalo preparing for the carnival have already been quarantined."

Dipo revealed that his five Kebo Caucasians at Surakarta Palace will join his carnival parade one night after his in Suro. Origin of Kebo Bule On the eve of the Islamic New Year, or the night known as 1 Sulo Night, a carnival tradition takes place at the Surakarta Palace.



This tradition has been practiced for hundreds of years and is passed down from generation to generation.

From the king and his courtiers to the general populace, thousands of people participate in this one suloh carnival.One Suro Night Carnival aims to reflect on past mistakes and create a new page in the hope that they will not be repeated.


His one of the most famous icons of the One Suron Night Carnival at the Surakarta Palace is Kebo (Buffalo) Bure, his cucuk lampah (Guardian) of the Carnival, and Kebokyay, a descendant of his slamet. The Kebo-Caucasians are later in the front row, guarding other heirlooms in Kyai Slamet's palace.

A buffalo with reddish white skin is not just a water buffalo.


Kebo Caucasians are important family heirlooms and also Paku Buwono II's clan or favorite pets.

According to Yosodipuro, a famous poet of Surakarta Kasunanan Palace, Kebo Bure was originally a gift from Kyay Hasan Beshari Tegarsari Ponorogo to King Pak Buwono II.


When Pakubuwono II returned from his Tegalsari refuge in Pondok, riots erupted in Chinatown and the Karta Surah Palace burned down, the buffalo were sent to the palace's heirloom lampars (guards) called Kiyai Islamet. member). The Royal Palace has never attempted to explain what form the Kyai Slamet heirloom took.



“Because he is in charge of preserving and preserving the heritage of Kiyai Sulamet, the municipality erroneously calls this foreigner Kebo Kiyai Sulamet,” said Deputy Keraton Surakarta Penghen Sassono Willopo. , Kanjen Raden Aryo (KRA) Winarno Kusumo said.In 1725 when Pakhi Bwono II was looking for a site for a new palace, Kebo Bokbo his Caucasian ancestors were released. 

ARIF BLOG 4:24 PM
Read more ...
Secaten is an annual event held in the city of Solo since the 15th century. This event is a tradition to mark the birthday of Prophet Muhammad SAW. The Secaten program is closely related to the history of the spread of Islam to Java. The Wari Sangha is the main person behind the birth of the secaten tradition. Sekaten was used by the Wali Sanga to spread Islam in Java. Originally, Secaten was a continuation of a traditional ritual practiced by Javanese kings since the Majapahit period as a salvation ceremony to keep the kingdom safe. Gradually, however, the secaten tradition has changed and is now being used as a vehicle to spread Islam, especially in Central Java, where the spread of Islam is through the medium of gamelan his art.

Gamelan was used as a medium to spread Islam because Javanese people at that time loved Gamelan, Javanese art. It was not until the celebration of the Prophet Muhammad's birthday at the Secaten event that the tambourine fell out of use and the gamelan was used as an accompaniment to the blessing chants. In Solo, night market activities usually follow Secaten performances for a month. The cue for the Secaten performance is the sound of the gamelan played inside the mosque. The event is held on her Rabiul Awal from the 5th to her 12th and the gamelan is played consecutively on this day. Events will then continue at Tumplak Wajik and Grebeg Maulud.

Tumplak Wajik is held his two days before Grebeg Maulud is held. The Tumplak Wajik ceremony takes the form of singing songs in kotekan or kentongan. This is used as a sign that the production of Gunungan has begun. Songs performed at Tumplak Wajik include Lompong Keli, Owal Awil and Tudhung Setan.

The next series of events is Grebeg Maulud. This event took place on his 12th in Rabiul Awal. Grebeg Maulud is the pinnacle of the Sekaten tradition. Grebeg Maulud has mountains of sticky rice, fruits, groceries and vegetables. This Gunungan is intended as a form of prayer and salvation, symbolizing the prosperity of the kingdom. After prayer, this gunungan is distributed to the congregation.

Sekaten is still maintained and implemented today. Secaten has been suspended for two years due to the effects of the new coronavirus infection, but we will resume Secaten's activities this time. This happened because the pandemic was loose enough. Now we can hold another secaten. Those wishing to visit Sekaten should head directly to the city of Surakarta to enjoy the lively performance of the event. 
ARIF BLOG 4:03 PM
Read more ...

Would you like to settle down in Yogyakarta? You can stop by Kampong Batik Giliroyo. Not only will you have a beautiful natural backdrop, but you will also learn how to make batik.

Giliroyo Batik Village is located in the Imogiri area of ​​Bantul Regency. The village is located about 15 kilometers or 40 minutes by car from Yogyakarta city. detikcom and Traveloka stopped by Kampung Batik Giriloyo a while ago. 

The drive to this village is really enjoyable as travelers can take in the views of the rice fields on both sides of the road. The green rice fields that the capital lacks are another medicine for travelers weary of traffic jams and skyscrapers. Also, the air in imogiri is cool and pleasant. Once in the village, travelers can see batik shop signs in front of residents' homes. Not surprisingly, most of the residents of Giliroyo Batik Village work as tie-dyeers.

Giliroyo Batik Village is said to be one of the oldest batik-making villages in Yogyakarta. People have had a close relationship with batik since the Mataram Kingdom in the 17th century. Next to this village is the tomb of the famous potato cutter king.


We stopped at the Giliroyo Batik Lighting Gallery not far from the village entrance. There you will learn how to make batik. The tie dye we make is written as tie dye. There are tools and materials used to create tie-dye i.e. cloth, wax, canting, kiln and dye.


Batik making at Giliroyo Batik Village was fun as participants were directly accompanied by the batik craftsmen. They patiently led us to draw cantings on the patterns we had previously drawn on the cotton cloth. Tie-dyeing as a beginner is not easy. The traveler must endure the hot night by canting and scratch the cloth in a slightly inclined position. If you take the wrong measures, the night will not come out or will overflow.


Therefore, patience and thoroughness are required. Mr. Wasihatun, a craftsman who accompanied me, explained that tie-dyeing helps develop the taste. “You don’t have to rush the tie-dyeing, you have to be focused and patient. If something goes wrong, you can use it as a new shape, so the tie-dyeers also need to be creative,” he said. Told. 

ARIF BLOG 3:55 PM
Read more ...

“During the post-independence struggles, he sold his inherited items. Later, his ancestor Pak Mu bought it for 150,000 rupiah in the 50s. I can have 150,000 in," said Mbah Hadi, without explaining who Pak Muh called, was the dressing table buyer for the Pakualaman aristocrats who were hooked on Kulon Progo after the Revolutionary War.

The commode, which is still very stable, is Mbah Hadi's favorite object. But how did this story find its way into the hands of the Simba family, who already have five great-grandfathers? The dressing table is part of the treasure-finding adventure.


"It makes me sad to say that," he said, confirming that his money was used to buy the dresser.

"It was brought everywhere, even to Indramayu, someone said they wanted to buy it at a high price, but they didn't buy it. He said people who wanted to buy were scared because there was a guard under the table,” recalls Mbah Hadi.


correct. This old table doesn't seem to want to change hands. Seeing that no one wants to buy it even though it has been transported to various places from West Java to East Java. The myth of translucent marble, so popular in the 1980s, proved fruitless for Mbah Hadi. "Yes, the results can take care of that old dressing table. No one really wanted to buy it, so someone was waiting under the table. Indramayu's last prospect was scared. I ultimately decided not to sell it," he explained.


Mbah Hadi takes great pride in not wanting her dressing table to change hands. Even after the days of antique hunting were over, he seems to have been bidding on someone's favorite chest of drawers. However, Mbah Hadi decided not to sell it. One of Mbah Hadi's sons told him there were guards under the marble table. Besides loving the old, he also understands spiritual things. That's why I asked him to share his father's favorite dresser in a separate room.


"It's taken as superstition when you say you have a guardian. But to me, this is an object that needs to be protected from business interests," said his Masdjo, son of Mbah Hadi. rice field. 

ARIF BLOG 3:03 PM
Read more ...

Ruby is a precious gemstone, prized for its beauty and rarity. The red color of ruby is caused by the presence of chromium in its crystal structure. Ruby is a type of corundum, a mineral that is colorless in its pure form, but when impurities are present, it can form in a variety of colors.

Ruby is the birthstone for July and is often given as a gift for 15th and 40th wedding anniversaries. Rubies can range in color from light pink to deep red, and the most valuable specimens are those with a rich, saturated red hue.


Ruby has been prized as a gemstone for centuries, and has been used in jewelry, carvings, and other decorative objects for thousands of years. In ancient times, ruby was believed to bring good fortune and was thought to have magical powers. It was also believed to protect the wearer from harm and to bring success and prosperity.

Ruby is found in many countries around the world, but the most valuable rubies come from Myanmar (Burma), where they have been mined for centuries. Other important sources of ruby include Thailand, Cambodia, India, and Africa.


Ruby is a hard and durable gemstone, with a hardness of 9 on the Mohs scale, making it one of the hardest materials after diamond. This makes it ideal for use in jewelry, as it is resistant to scratches and other damage. However, ruby can be prone to chipping or cracking if it is struck too hard or subjected to sudden temperature changes.


Ruby is typically cut into a round, oval, or cushion shape, and can be faceted or cabochon cut. Faceted rubies are highly prized for their brilliance and fire, while cabochon-cut rubies are valued for their smooth, rounded surface and rich, velvety color.


The price of ruby can vary greatly depending on factors such as its size, color, clarity, and origin. Rubies that are large and of high quality can fetch prices in excess of several million dollars per carat. Smaller, lower-quality rubies are more affordable, and can be purchased for much less.


In addition to being used as a gemstone, ruby has a number of industrial uses. It is used as an abrasive in some applications, and is also used as a heat sink in electronic components due to its high thermal conductivity. Ruby is also used as a laser gain medium, as it can be excited by light to emit laser light.


Ruby is often treated to improve its appearance and increase its value. One of the most common treatments is heating, which can improve the color and clarity of ruby. However, this treatment can also cause cracks and other defects, so it is important to be aware of any treatments that have been applied to a ruby when purchasing it.


In conclusion, ruby is a precious gemstone that has been prized for its beauty and rarity for thousands of years. It is a hard and durable gemstone that is highly valued for its rich red color and is used in jewelry, carvings, and other decorative objects. The price of ruby can vary greatly depending on factors such as size, color, clarity, and origin, and it is often treated to improve its appearance and value.

ARIF BLOG 2:43 PM
Read more ...

The cleansing of Jamathan heirlooms or heirlooms is one of the rituals often performed in palaces when the month of Sulo comes.One heirloom that has always had its own sentimental value in this process is the keris. However, apart from Keris, there are also spears included in the Age of Legacy.


The cleaning of heirlooms, including keris, usually takes place on the night of Sulo. Kelis doesn't necessarily have to be cleaned that night, though. The process of cleaning Keris on the night of Soros is just a belief. "It doesn't have to be a slo, it's just a line. Cleaning is always possible. Especially if the keris is very rusty, don't wait for a slo. It will be damaged later," says restoration work since 1993. said he is doing Nasip delivered this statement to the Javanese community on UN Day 2019, Indonesia's Heritage for World Peace and Sustainable Development at the National Library of Indonesia. Process of washing heirloom keris


When washing her keris that reads prayers, the most important process is to wash it properly so that it is well cared for. During this process, Nasip admitted that he only read regular prayers before going through the process of cleaning Kelis.


Preparing Ingredients to Clean the Keris To wash the keris, you need to prepare some ingredients such as clean water with flowers, lime juice, water mixed with warangan powder, and soap. Soak the kerris in water and rub it with lime juice. Nasip's first step is to soak the keris in flower water. Then he rubbed the dagger with lime juice.


Lime juice is used to remove rust from the keris. This process continues until the rust begins to disappear. "When it's gone, soak it in water until the lime juice runs out," he said. Soak in warangan water. After using up all the lime juice, soak the kerris in warangan water or water mixed with arsenic. This water is pitch black and has a pungent odor.


Nasip explained that this water helps accentuate the keris motif. This process only runs for 15-20 minutes before the subject reappears. Kelis cleans with soap. After soaking in warangan water, the keris is taken out and soaked again in clear water and washed with soap.


The keris is then rinsed with water and dried with a towel. The kerris is then coated with jasmine oil to give it shine and fragrance. Nasip revealed that most Javanese still believe Keris to be an heirloom with supernatural powers. According to him, you can also ensure the keris' "content" or "happiness" by washing it regularly, with the exception of Sulo's night. Of course, keep Keris from rusting. 

ARIF BLOG 2:29 PM
Read more ...

The Royal Wedding of Yogyakarta is a significant event in Indonesian culture and history. The bride's dress is a central aspect of this celebration, as it symbolizes the joining of two families and the start of a new life together. The traditional wedding dress of Yogyakarta, also known as the kebaya, is a beautifully ornate garment that reflects the richness of Indonesian heritage.




Also read articles related to Batik, which is only used at Jogja weddings

Read also articles related to Batik among teenagers


The kebaya is a long-sleeved blouse and a long skirt that are worn together. The blouse is typically made of sheer, lightweight fabric, such as silk or cotton, and is adorned with intricate embroidery, beading, or lace work. The skirt is also elaborately decorated, often featuring ornate pleats and folds, as well as intricate patterns and embellishments. The kebaya is typically worn with a long scarf, called a selendang, which is draped over the shoulder and tied at the waist.


The kebaya originated in the Javanese court during the 17th century, and has since become a staple of Indonesian traditional attire. In Yogyakarta, the kebaya is particularly special, as the city is renowned for its intricate batik designs and rich cultural heritage. For a royal wedding, the bride's kebaya is often customized and tailored to her personal taste and style, making it a unique and meaningful reflection of her personality.


The kebaya is not only beautiful but also deeply symbolic. The intricate designs and embellishments on the dress represent the richness of the bride's family and their cultural heritage, while the long sleeves and flowing skirt represent the bride's purity and grace. The selendang symbolizes the bride's strength and grace, as it is traditionally worn to provide support and protection to the wearer.


The Yogyakarta royal wedding dress is often a fusion of traditional Indonesian design and modern styles and trends. The bride may choose to wear a traditional kebaya, or a modern version with a contemporary twist, such as a shorter skirt or a more fitted blouse. The use of modern fabrics, such as lace or tulle, may also add a contemporary touch to the dress.


In conclusion, the Yogyakarta royal wedding dress is a beautiful and meaningful representation of Indonesian culture and heritage. The kebaya, with its intricate designs and symbolic meaning, serves as a reminder of the rich cultural heritage of Indonesia and the importance of preserving and celebrating this heritage in contemporary times. Whether in its traditional form or with a modern twist, the kebaya remains a stunning and timeless piece of attire for the bride and a testament to the beauty and elegance of Indonesian culture



ARIF BLOG 12:48 PM
Read more ...

The Kris Semar Mesem is a traditional Indonesian dagger originating from the Javanese and Sundanese communities. It is considered a sacred weapon and is associated with the god Semar, who is considered the patron saint of the Javanese people. The Kris Semar Mesem is not just a weapon, but it is also a symbol of prestige, cultural heritage, and spiritual power.


The Kris Semar Mesem has a unique and distinctive appearance, with a wavy blade that is wider at the base and tapers to a point. The blade is typically between 30-60 centimeters in length and is


made of a type of iron called “pamor” that is believed to have been blessed by spiritual leaders. The blade is often decorated with intricate patterns, and the hilt is made of a variety of materials, including wood, bone, or ivory.

The Kris Semar Mesem is considered a sacred weapon because it is believed to contain spiritual energy and to be capable of performing miracles. It is said that the power of the weapon depends on the quality of the blade, the materials used in the hilt, and the skill of the person wielding it. The weapon is also believed to have the power to protect its owner from harm and to bring good luck and prosperity.


In traditional Javanese society, the Kris Semar Mesem was often given as a gift to honor and respect an individual. It was also used as a symbol of authority and power, and was often worn by leaders and warriors. The weapon was also used in traditional ceremonies and rituals, and it was often placed on the grave of a deceased person to protect them in the afterlife.


The production of the Kris Semar Mesem is a highly skilled process that involves forging, tempering, and decorating the blade. The process typically takes several months and is performed by skilled blacksmiths called “empu”. The blacksmiths use traditional techniques and materials, and they must follow strict protocols and rituals in order to produce a weapon that is considered to be powerful and sacred.


In recent years, the use of the Kris Semar Mesem has declined, and it is now primarily used in traditional ceremonies and festivals. However, it remains an important part of Indonesian cultural heritage, and it is still highly prized by collectors and enthusiasts.


In conclusion, the Kris Semar Mesem is a traditional Indonesian dagger that is steeped in spiritual significance and cultural heritage. It is considered a powerful and sacred weapon, and it is a symbol of prestige and authority. The intricate craftsmanship and traditional techniques used in the production of the Kris Semar Mesem make it a unique and valuable cultural artifact, and it serves as a reminder of the rich cultural heritage of the Javanese and Sundanese communities.

ARIF BLOG 12:39 PM
Read more ...